01.30.20
I really can’t pick just one.
01.30.20
Growing up, my Dad always had on The Beatles, Beach Boys and some Gershwin. I listen to everything now.
01.30.20
Seeing a few tears from folks during sappy numbers at various points.
01.30.20
Just being a dork, switching from piano to dobro, stomping on a tambourine, headbanging some, standing there in awe at how amazing my band is: Neil Campisano, Zack Proteau, Otis Mourning and Chris Martinez, and forgetting that I should still be playing too so I take a deep breath and join back in on the song with these lovely Gents.
01.30.20
Yep. Super excited to have my band play at the new Solomon’s Russ Room March 14.
01.30.20
Orange.
01.30.20
SRV, Son House, Eric Gales, Milk Carton Kids’s Kenneth Pattengale and David Rawlings.
01.30.20
The first year I was nominated was very unexpected because I was still in breastfeeding mode with my second child and wasn’t gigging much.
01.30.20
It, being music, probably clarinet in the fourth grade and being a hammy singer since I was born.
01.30.20
Real.
01.30.20
Raw.
01.30.20
I don’t see them as competitions, I see them as recognition of where someone is currently at in their career. It’s very temporary and the train moves on pretty quickly.
01.30.20
A monkey!
01.30.20
Nope, just being me. A little raw and psycho.
01.30.20
People that are not grateful. We are lucky for every single thing. Thank your waiter. Thank your sound guy. Thank that person that posted a pic of your gig that they attended when they could have been home Netflixing on the couch. Also thank your God.
01.30.20
Poke.
01.30.20
Opening for metal bands as a solo act in Concord where I grew up.
01.30.20
My sixth album is being recorded in chunks right now. So far, two songs are completed down to the mastering. This thing is going to be fierce. Should be out in the fall.
01.30.20
I would say every gig at The Sofia. I have had the pleasure of playing there eight times and the venue is just perfect.
01.30.20
Playing outside of a coffee shop when the automatic sprinklers turned on me and all my gear.
01.30.20
I am fiercely driven and work very hard.
01.30.20
Forward progression on all elements- writing, musicianship, fanbase growth.
01.30.20
Fergie’s old solo record “oh the flouncy flouncy” ha ha.
01.30.20
A famous singer.
01.30.20
That’s when I do some hard core vocal warm ups. (Closet opera singer.)
01.30.20
Gratitude.
01.30.20
I can’t live without music, and, gratitude.
01.30.20
Be original. Be yourself.
01.30.20
You guys still happy? Need anything?
01.30.20
"I Can’t Make You Love Me" by Bonnie Raitt (piano/vocal).
01.30.20
Howard Stern.
01.30.20
Father John Misty, although I doubt it’s a huge surprise. That guy is a genius.
01.30.20
Album No. 6.
01.30.20
Brown belt in martial arts.
01.30.20
Seeing other folks I love get recognized too.
01.30.20
It’s my maiden name.
01.30.20
Pearl Jam’s Ten. The whole record is just perfect.
01.30.20
The Freebadge Serenaders.
01.30.20
My latest tune called "Sad Eyed Lover," which will debut on my sixth album this fall.
01.30.20
Luna’s Café, 2010ish.
01.30.20
Kicking serious ass and taking names in all aspects of life—and having as much success as I can handle.
01.30.20
Allen Toussaint for piano (RIP), Father John Misty for writing and production, Son House for that slide blues I love so much.
01.30.20
As far as becoming a gigging artist, I would say Bonnie Raitt and Wynona Judd because they were the first concerts I went to where I could see firsthand—a real woman in charge.
01.30.20
Oh it’s no secret: JAMES FRANCO. I’d cut my right arm off for you too, baby.
01.30.20
Be thankful.
01.30.20
Feed the hungry.